Mairi Jack
1953-2022
Mairi was born and raised in Motherwell.
She had a mostly unhappy school life, but attended Langside College after leaving school and gained a place in Glasgow University where she studied English Literature. She had been an avid reader as a child and at University she developed a lifelong love of literature and poetry. One of her lecturers was Edwin Morgan who she admired greatly and was delighted when one of her poems was included in ’The Centenary Collection’ to mark what would have been his 100th birthday.
Mairi had a career in Journalism becoming Women’s Editor at Paisley Daily Express. She went on to work as a teacher supporting children with special needs. Despite a long-term ambition to pursue creative writing, this did not materialise until later in life when she finally joined an inspirational class and workshop run by Dr. Linda Jackson. Much of the work contained in this collection is the result of a surge of creative energy unleashed by these classes and the friends which she made there.
She would have been proud of this book, and it is a wonderful legacy for her family and friends.
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A first collection of poetry by George Gibson, a writer who writes about musicians and other literary influences in a way that carries their language through his own. From Jazz to the Doors, they are all here.
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In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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‘There is straight-shooting political comment here…but there are also meditative and lyrical moments.’ (Judy Taylor, writer)
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