There can be no doubt that Karen Macfarlane is a special talent. In All About the Surface, her closely observed, resonant poems convey the richness of the moments she explores. Whether it is open water swimming, walking a ridge, or running down the hill at Clachtoll, Macfarlane’s impressive command of her craft transports the reader into her world to live those experiences with her, to share their pleasures, to encounter their challenges and to be the wiser for having done so.
(Nigel Kent, poet and reviewer)
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This anthology has poetry that considers a Cause in its Time, the time of Covid 19 and what time itself may mean NOW.
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A first collection of poetry by George Gibson, a writer who writes about musicians and other literary influences in a way that carries their language through his own. From Jazz to the Doors, they are all here.
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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