‘Breathe In’ is a collection of contrasts; with a scope both modest and ambitious, local and international, street-wise and philosophical. There is an overwhelming feeling, as you navigate through its delicately curated pages, that you are experiencing a life in motion – not a mundane archiving of material but a vibrant rekindling of significant moments. This juxtaposition of works from across decades creates an enjoyable friction between the pieces, lending the whole collection a unique temporal electricity. An invitation to Breathe In and connect with our past selves, Dolan’s work deserves to be appreciated by an audience as diverse as his inspiration.’
(Kevin P. Gilday)
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Invisible Cities 'This collection suggests a presiding intelligence which has seen to the welcome exclusion of the wasteful and sentimental.' (Tom Leonard) Includes work by Janet Paisley, Pat Byrne and Sheila Templeton.
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Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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Glasgow: Historical City. A vibrant anthology of the dear green place.
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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