
This third collaboration from AC Clarke, Sheila Templeton and Maggie Rabatski, is an unfinished project, cut short by Sheila Templeton’s too-early death. But there is nothing unfinished about the poems we do have here: they are bursting with life and wit, with knowledge and opinion and human sympathy, giving us sidelong looks and some weel-kent figures from Scottish history and engaging portraits of some who should be better-kent; all called up with unobtrusive poetic skill – the most difficult kind – in English, Scots and Gaelic.
Topped and tailed with spare, moving elegies for Sheila from her two colleagues, this is a rich and rewarding volume that will leave you educated, entertained, and heart-sorry that there won’t be another like it.
Judith Taylor
Poet and Editor
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£8.00

Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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Glasgow: Historical City. A vibrant anthology of the dear green place.
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‘There is straight-shooting political comment here…but there are also meditative and lyrical moments.’ (Judy Taylor, writer)
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