Diana Devlin has the ability to let your mind wander randomly here and there through her words, to dump your preconceptions in a ditch and then hold your hand as you turn a corner into another poem of originality and force. This collection by its very title is a full frontal embrace of crafted words. Let her take your hand – you won’t regret it.
(Jim MacKintosh, poet)
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Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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