Diana Devlin has the ability to let your mind wander randomly here and there through her words, to dump your preconceptions in a ditch and then hold your hand as you turn a corner into another poem of originality and force. This collection by its very title is a full frontal embrace of crafted words. Let her take your hand – you won’t regret it.
(Jim MacKintosh, poet)
£10.00
This anthology has poetry that considers a Cause in its Time, the time of Covid 19 and what time itself may mean NOW.
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In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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'Essays, poems and biographical writing from the most respected of Scottish writers, the late Janet Paisley celebrate and illuminate the range and depth of her art.' (Anne Donovan).
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‘This is a collection by four women poets: Linda Jackson, Donna Campbell, Tracy Patrick and Lesley Benzie writing about travel and dreams…Each journey is memorably significant to the speaker and evoked in sharp and striking detail.’
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