Glasgow’s fame as a city of music is legendary: the musicians that it has birthed, the venues: King Tuts, Howlin Wolf and the Barrowlands and The Maryland and Burns Howff to name a few.
Glasgow audiences are loved and commented on by performers the world over.
There are street musicians, songs of murmuration: starlings and blackbirds, rehearsals and studios and those moments of sheer bliss listening to, or performing, that life-changing song.
Our club scene, our classical moments – it never ends in this Glasgow: City of Music.
Finally, the anthology of poetry and short memoirs.
Edited by Linda Jackson
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In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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Glasgow: Historical City. A vibrant anthology of the dear green place.
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A first collection of poetry by George Gibson, a writer who writes about musicians and other literary influences in a way that carries their language through his own. From Jazz to the Doors, they are all here.
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