
In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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‘There is straight-shooting political comment here…but there are also meditative and lyrical moments.’ (Judy Taylor, writer)
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Invisible Cities 'This collection suggests a presiding intelligence which has seen to the welcome exclusion of the wasteful and sentimental.' (Tom Leonard) Includes work by Janet Paisley, Pat Byrne and Sheila Templeton.
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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If you want your poetry as a lulled accompaniment to whatever you happen to be doing - don't read Jo Gilbert. If you like your Doric couthie and couth, paired with a wee sepia photo - don't read Jo Gilbert. But if you need poetry that makes you 'Get aff that fuckin horse. Now!' , and opens your 'kohl clarted eyes' to garr ye greet and laugh aloud...then read Jo Gilbert. And what a titular poem. Three lines, punching hard with every word. What a debut.
(Beth McDonough, writer)
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