Like nesting dolls indeed, these are poems of tender love and longing which open out to encompass a century or more of family history. They are poems of emigration and alienation, of love and loss, brought alive by the detail in Kathryn Metcalfe’s writing. I particularly liked the longing evoked in ‘Back Court’ where the patch of blue sky grows smaller every day, even ‘weeds would be welcome here’ and the young woman’s sigh is a small brown bird reaching for freedom. In Seanchaidh/Storyteller, the title character comes to life as ‘Ancient campfires burned / in his eyes as he worked / the fabric of hand me down / stories’.
The poems come to us as snapshots, scattered and seemingly random, in much the same way that family history is remembered and shared.
(Jennie Turnbull, Writer)
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'Essays, poems and biographical writing from the most respected of Scottish writers, the late Janet Paisley celebrate and illuminate the range and depth of her art.' (Anne Donovan).
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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This collection has work by the late Tom Leonard, Finola Scott and Lesley Benzie.
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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