
In this collection, Macfarlane ‘swims through galaxies’. These clear-eyed poems honour the sacredness of everyday; showing us how the smallest moment or observation (a salmon leap, a sparrow, newborn mouse, a boy in red trainers) might be framed for greatness. With intricacy of form and voice, these poems are deft negotiations between nature and human-made; between species; between past and present; Scots and English (and – with heart-rending effect – both, in ‘Going back’); the body and the elements. Macfarlane offers us meeting points of river, grassland, city, garden, hill and field – where connection and recovery are possible, alongside acknowledgements of difficulty and loss.
(Rebecca Sharp, writer)
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Dr Linda Jackson set up a Writing Retreat in Barga, Tuscany and the poetic outcomes have now been placed in this small book.
Barga: the town, the families and the artistic community.
It is all in here.
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'What a welcome second collection from Lesley Benzie. Fessen is a total delight. She melds her native N-east Scots with English in writing which is a keen observation of both the outside world and a close scrutiny of human behaviour and relationship. Her language is muscular, strong, yet tender.
She is interested in everything we know of life...walking on the high cliffs of Catterline remembering Joan Eardley, guillemots...perched on tiny ledges facin intae the scarp/like they hiv come tae worship/at the wailin waa...burnt umber plumage/like oiled velvet...and that final homage... a wee prayer for the coastline/that pressed itsel intae Joan's hairt.'
(Sheila Templeton, Poet)
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‘There is straight-shooting political comment here…but there are also meditative and lyrical moments.’ (Judy Taylor, writer)
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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