Margaret McGrath has a way with words that transforms them into a lyrical montage of life’s trials and tribulations and the sweetness found in compassion and faith. Inner rhymes dance through her work inviting the reader to cast off any inhibition holding them back from the dreams that they seek. Humour is never far from the page. Last Tango In Denniston, is laugh out loud funny, conjuring memories of Denny Paly and brylcreemed hair. As winter approaches this is a collection to hunker down with whilst sipping a cup of creamy hot chocolate, and I can guarantee you will not look at an ironing board in quite the same way as before.
Book available 24th September
£7.00
Charles Bukowski is a master at writing in a similar fashion about the underclasses but Graham Fulton’s work is better by miles. Not a wasted word and each phrase as carefully balanced as a swaying drunk on a bus.
(Des Dillon, writer)
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A first collection of poetry by George Gibson, a writer who writes about musicians and other literary influences in a way that carries their language through his own. From Jazz to the Doors, they are all here.
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In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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‘This is a collection by four women poets: Linda Jackson, Donna Campbell, Tracy Patrick and Lesley Benzie writing about travel and dreams…Each journey is memorably significant to the speaker and evoked in sharp and striking detail.’
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