Polly Bee weaves the rustle of leaves and the hush of dusk into poetry that charms the senses and awakens the spirit. Rooted deeply in the natural world, this collection invites us to look again—more gently, more closely—at the world we so often rush past. With a light turn of phrase, Polly B meets contemporary anxieties with grace, these poems are strong and tender, offering glimmers of hope amidst the noise. A quiet balm for a restless age.
(Katharine Macfarlane, writer)
Book available May 4th
£9.00
Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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A Kist of Treasure: John Maclean is surely that. Martin Goldie brings to life in verse one of Scotland’s greatest ‘Man o the People’. Here, a hundred years after Maclean’s death, Goldie’s reverence for a true hero comes across in his own fine penmanship.
There are just not enough books on Maclean and there are definitely far too few poems and songs about the man – Goldie has gone some way to putting this right.
(Dr. Joe Murray)
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Like nesting dolls indeed, these are poems of tender love and longing which open out to encompass a century or more of family history. They are poems of emigration and alienation, of love and loss, brought alive by the detail in Kathryn Metcalfe’s writing. I particularly liked the longing evoked in ‘Back Court’ where the patch of blue sky grows smaller every day, even ‘weeds would be welcome here’ and the young woman’s sigh is a small brown bird reaching for freedom. In Seanchaidh/Storyteller, the title character comes to life as ‘Ancient campfires burned / in his eyes as he worked / the fabric of hand me down / stories’.
The poems come to us as snapshots, scattered and seemingly random, in much the same way that family history is remembered and shared.
(Jennie Turnbull, Writer)
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Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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