
Polly Bee weaves the rustle of leaves and the hush of dusk into poetry that charms the senses and awakens the spirit. Rooted deeply in the natural world, this collection invites us to look again—more gently, more closely—at the world we so often rush past. With a light turn of phrase, Polly B meets contemporary anxieties with grace, these poems are strong and tender, offering glimmers of hope amidst the noise. A quiet balm for a restless age.
(Katharine Macfarlane, writer)
Book available May 4th
£9.00

In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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Dr Linda Jackson set up a Writing Retreat in Barga, Tuscany and the poetic outcomes have now been placed in this small book.
Barga: the town, the families and the artistic community.
It is all in here.
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Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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