Reaching the Light is a book for lovers of wonderfully crafted poetry. Eveline Pye’s enlightening, painful recollections of her childhood and her relationship with an abusive mother are told with dazzling skill. As a child, she despairs, no one is trying to save me. Later comes the realisation that her own loving part is immured in stone. We are also told that daughters…with courage and time to heal…can break free. This book is therapeutic and cathartic – it may ease pain and spread understanding, especially amongst those who have suffered parental abuse.
Reaching the Light is a survivor’s collection and should be read as widely as possible.
(Johnny Woods, retired Consultant Psychiatrist, Glasgow)
£9.00
Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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'Essays, poems and biographical writing from the most respected of Scottish writers, the late Janet Paisley celebrate and illuminate the range and depth of her art.' (Anne Donovan).
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Charles Bukowski is a master at writing in a similar fashion about the underclasses but Graham Fulton’s work is better by miles. Not a wasted word and each phrase as carefully balanced as a swaying drunk on a bus.
(Des Dillon, writer)
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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