‘Siren Calling’ is a collection which explores embodied landscapes, both external and internal. Whether Linda Jackson is evoking ‘red-gold’ Uluru as it ‘pulses with colour’, the ‘chalice of iced sunlight’ which a glass transforms to, or to the potter’s kiln which recalls and replaces the flames of a war-torn country, all of them are alive with the sense of what it is to be human.
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Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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Invisible Cities 'This collection suggests a presiding intelligence which has seen to the welcome exclusion of the wasteful and sentimental.' (Tom Leonard) Includes work by Janet Paisley, Pat Byrne and Sheila Templeton.
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Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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