Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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'What a welcome second collection from Lesley Benzie. Fessen is a total delight. She melds her native N-east Scots with English in writing which is a keen observation of both the outside world and a close scrutiny of human behaviour and relationship. Her language is muscular, strong, yet tender.
She is interested in everything we know of life...walking on the high cliffs of Catterline remembering Joan Eardley, guillemots...perched on tiny ledges facin intae the scarp/like they hiv come tae worship/at the wailin waa...burnt umber plumage/like oiled velvet...and that final homage... a wee prayer for the coastline/that pressed itsel intae Joan's hairt.'
(Sheila Templeton, Poet)
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5 new poems by the acclaimed poet, Graham Fulton, work by Charlie Gracie, Magi Gibson, Jim Ferguson and many others. A truly engaging anthology.
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‘There is straight-shooting political comment here…but there are also meditative and lyrical moments.’ (Judy Taylor, writer)
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