We travel the world in this new collection of poems from Jenifer Harley. Surging from the global to the local, from Samoa and Sydney to a Scottish seaside bothy, her keen-eyed observation focuses us afresh on human civilisation’s grandeur, originality and beauty. But she’s also playfully aware of the everyday experience of tiny things that irk like the ouch of wearing flip-flops on a steep dirt track.
These poems are always alert to language – or, rather, languages – e.g. ‘la ragazza sooks spaghetti’ (a line from ‘Bar Gambrinus, Pisa’), capturing the vibrancy of a location’s cheerful, chaotic cacophony and colours.
A vividly perceptive collection, commemorative and celebratory, documenting life’s rough and smooth. A collection with real heart.
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If you want your poetry as a lulled accompaniment to whatever you happen to be doing - don't read Jo Gilbert. If you like your Doric couthie and couth, paired with a wee sepia photo - don't read Jo Gilbert. But if you need poetry that makes you 'Get aff that fuckin horse. Now!' , and opens your 'kohl clarted eyes' to garr ye greet and laugh aloud...then read Jo Gilbert. And what a titular poem. Three lines, punching hard with every word. What a debut.
(Beth McDonough, writer)
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This collection has work by the late Tom Leonard, Finola Scott and Lesley Benzie.
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Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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