We travel the world in this new collection of poems from Jenifer Harley. Surging from the global to the local, from Samoa and Sydney to a Scottish seaside bothy, her keen-eyed observation focuses us afresh on human civilisation’s grandeur, originality and beauty. But she’s also playfully aware of the everyday experience of tiny things that irk like the ouch of wearing flip-flops on a steep dirt track.
These poems are always alert to language – or, rather, languages – e.g. ‘la ragazza sooks spaghetti’ (a line from ‘Bar Gambrinus, Pisa’), capturing the vibrancy of a location’s cheerful, chaotic cacophony and colours.
A vividly perceptive collection, commemorative and celebratory, documenting life’s rough and smooth. A collection with real heart.
£9.00
Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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This anthology has poetry that considers a Cause in its Time, the time of Covid 19 and what time itself may mean NOW.
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