This is an entrancing read. The story, told in a sequence of poems, of a diligent but burnt-out island crofter who buys a fourth-hand workaday tractor and discovers that, in his hands, it can convert to a space capsule. And he wastes no time in taking off on nightly joyrides of galactic exploration, ‘each whirl a defiance of his ancestry’.
Murray’s gift for storytelling is at full power here, the narrative a roller coaster of loops and bends and inversions; images so vivid they give you a jolt, like the one of the crofter ‘stealing red threads from a sunset’, for a weaver neighbour, ‘to lighten up the overwhelming gloom/of dark twill stretched before him.’
(Maggie Rabatski)
£10.00
What would you give of your worst in your Will and Testament to an individual or individuals who deserve it?
Satire inspired the great Irish satirist, Kevin Higgins.
'I Bequeath' is a collection of poetry inspired by the workshops, (online and in person), the support and guidance of the late poet, Kevin Higgins who died one year ago this month in January 2023.
This collection is both poignant and humorous and includes poetry by Morag Anderson, Hugh McMillan, Judith Taylor and many others.
One you can share in company, well some company.
Enjoy.
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'Memories of a wonderful writing retreat', 'AN emotional and inspirational trip to picturesque Barga through time, poetry, art, photography and villas. Researching families was one of the highlights for me after visiting one of their homes.. And then Pascoli's house? How could we not be inspired?'
This book contains a number of the original English poems translated into Italian, and will be launched in Barga, Italy on September 28th in La Capretz. Piazza Salvi at 7pm.
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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Like nesting dolls indeed, these are poems of tender love and longing which open out to encompass a century or more of family history. They are poems of emigration and alienation, of love and loss, brought alive by the detail in Kathryn Metcalfe’s writing. I particularly liked the longing evoked in ‘Back Court’ where the patch of blue sky grows smaller every day, even ‘weeds would be welcome here’ and the young woman’s sigh is a small brown bird reaching for freedom. In Seanchaidh/Storyteller, the title character comes to life as ‘Ancient campfires burned / in his eyes as he worked / the fabric of hand me down / stories’.
The poems come to us as snapshots, scattered and seemingly random, in much the same way that family history is remembered and shared.
(Jennie Turnbull, Writer)
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