
Jen Dunn’s first collection of poems is a stark and, in places, raw read. Terse yet vivid lines examine a range of experiences in the life of a medical professional. The colours and sounds of an orthopaedic surgeon’s daily interventions are contrasted with the mournful internal dialogue of psychoanalysis. This collection marks the emergence of a new voice with rich experience of trauma in its variant forms, and an impressive range of poetic instruments with which to investigate those experiences.
(Andy Jackson, poet)
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Invisible Cities 'This collection suggests a presiding intelligence which has seen to the welcome exclusion of the wasteful and sentimental.' (Tom Leonard) Includes work by Janet Paisley, Pat Byrne and Sheila Templeton.
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Glasgow: Historical City. A vibrant anthology of the dear green place.
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In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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This collection has work by the late Tom Leonard, Finola Scott and Lesley Benzie.
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