Jen Dunn’s first collection of poems is a stark and, in places, raw read. Terse yet vivid lines examine a range of experiences in the life of a medical professional. The colours and sounds of an orthopaedic surgeon’s daily interventions are contrasted with the mournful internal dialogue of psychoanalysis. This collection marks the emergence of a new voice with rich experience of trauma in its variant forms, and an impressive range of poetic instruments with which to investigate those experiences.
(Andy Jackson, poet)
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In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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There can be no doubt that Karen Macfarlane is a special talent. In All About the Surface, her closely observed, resonant poems convey the richness of the moments she explores. Whether it is open water swimming, walking a ridge, or running down the hill at Clachtoll, Macfarlane’s impressive command of her craft transports the reader into her world to live those experiences with her, to share their pleasures, to encounter their challenges and to be the wiser for having done so.
(Nigel Kent, poet and reviewer)
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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