‘Lesley’s poetry is lyrical, insightful, and poignant with moments of deep memory. I love how her work can both be formally inventive and also rooted in the natural world, a seamless marriage of mood which makes this collection a wonderful experience from beginning to end.’
(Beth Cochrane)
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Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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‘There is straight-shooting political comment here…but there are also meditative and lyrical moments.’ (Judy Taylor, writer)
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