‘Throughout ‘The Sounds That Men Make’ Allan Gaw, like a ethnographic cartographer, maps the difficult, often treacherous and at times absurd landscape of contemporary masculinities. Inhabiting diverse personae and positions, including alien observers, he navigates the sensitivities and conundrums, the bonds and the rivalries, contradictory role models, the inherited behaviours and prejudices, internal conflicts, the joys, desires, the fears, along with the silences and struggles to overcome expectations and stereotypes. Gaw presents a topography of masculine voices, asking which we identify with, which we recognise, which we react against, and in doing so opens up a much-needed discussion on what it means to be a man in the 21st Century.’
(Bob Beagrie, writer)
£12.00
The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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A first collection of poetry by George Gibson, a writer who writes about musicians and other literary influences in a way that carries their language through his own. From Jazz to the Doors, they are all here.
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Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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