
The poetic voice in this collection is restless, urgent, sad, and knowing. The knowing is a felt knowing, made in what Glissant calls the ‘Poetics of Relation’. We move through the collection across continents and camps, looking into the eyes of despair and consequences of war, insisting that even the lives wasted are not wasted. Insisting of the grief that is life.
Alison Phipps is UNESCO Chair for Refugee Integration through Languages and Arts at the University of Glasgow.
(Pre-order. Available from April 24th 2024)
£10.00

Invisible Cities 'This collection suggests a presiding intelligence which has seen to the welcome exclusion of the wasteful and sentimental.' (Tom Leonard) Includes work by Janet Paisley, Pat Byrne and Sheila Templeton.
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In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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This anthology has poetry that considers a Cause in its Time, the time of Covid 19 and what time itself may mean NOW.
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Donna Campbell’s first collection may be called ‘Mongrel’ but it is purebred poetry. Her use of words, especially in the Glaswegian vernacular, combine with images to form brutally beautiful poems about aspects of life that less fearless poets might shun. (Lesley Benzie, poet)
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