The poetic voice in this collection is restless, urgent, sad, and knowing. The knowing is a felt knowing, made in what Glissant calls the ‘Poetics of Relation’. We move through the collection across continents and camps, looking into the eyes of despair and consequences of war, insisting that even the lives wasted are not wasted. Insisting of the grief that is life.
Alison Phipps is UNESCO Chair for Refugee Integration through Languages and Arts at the University of Glasgow.
(Pre-order. Available from April 24th 2024)
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5 new poems by the acclaimed poet, Graham Fulton, work by Charlie Gracie, Magi Gibson, Jim Ferguson and many others. A truly engaging anthology.
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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New collection by three women poets, Linda Jackson, Donna Campbell and Lesley Benzie. The women are travelling in Europe this year with the book so have some of the poems translated. 18 new poems in this edition.
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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