Glasgow’s fame as a city of music is legendary: the musicians that it has birthed, the venues: King Tuts, Howlin Wolf and the Barrowlands and The Maryland and Burns Howff to name a few.
Glasgow audiences are loved and commented on by performers the world over.
There are street musicians, songs of murmuration: starlings and blackbirds, rehearsals and studios and those moments of sheer bliss listening to, or performing, that life-changing song.
Our club scene, our classical moments – it never ends in this Glasgow: City of Music.
Finally, the anthology of poetry and short memoirs.
Edited by Linda Jackson
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Allan's poetry never fails to surprise and delight. In Memory of Waves. he uses the imagery of the sea to invoke intense feelings about ' our eternal now'. He portrays compassion in a range of poetic forms. 'Cloth' is a favourite of mine as he asks 'weave me new' in an extended metaphor. In Lost 'you are the light on the other side of hope' is a beautifully evocative ending.
On the other hand, his prose poems on diseases show his dark humour as they are insinuatingly menacing as he takes on the personas of the diseases and warns us 'I'm not dead yet'.
This collection of poems shows his versatility and skill in the use of language as well as his humour and compassion.
(Ann McKinnon, poet)
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Charles Bukowski is a master at writing in a similar fashion about the underclasses but Graham Fulton’s work is better by miles. Not a wasted word and each phrase as carefully balanced as a swaying drunk on a bus.
(Des Dillon, writer)
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Glasgow: Historical City. A vibrant anthology of the dear green place.
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In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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