Glasgow: Historical City. A vibrant anthology of the dear green place.
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'What a welcome second collection from Lesley Benzie. Fessen is a total delight. She melds her native N-east Scots with English in writing which is a keen observation of both the outside world and a close scrutiny of human behaviour and relationship. Her language is muscular, strong, yet tender.
She is interested in everything we know of life...walking on the high cliffs of Catterline remembering Joan Eardley, guillemots...perched on tiny ledges facin intae the scarp/like they hiv come tae worship/at the wailin waa...burnt umber plumage/like oiled velvet...and that final homage... a wee prayer for the coastline/that pressed itsel intae Joan's hairt.'
(Sheila Templeton, Poet)
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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Linda Devlin’s Clota is a bold rush at the world, like the collection’s namesake: goddess of the River Clyde. A mirrored ball reflecting numerous versions of ourselves and the spaces we occupy, this collection invites the reader to look closer, question ‘laundered thoughts’ and admit the dark truths of damage received or delivered. There is an undeniable fragility but, like the river, currents of strength run deep and fast. Renewal’s All I can do is add my fragment to the whole lingers long after reading. (Morag Anderson, poet)
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