Margaret McGrath has a way with words that transforms them into a lyrical montage of life’s trials and tribulations and the sweetness found in compassion and faith. Inner rhymes dance through her work inviting the reader to cast off any inhibition holding them back from the dreams that they seek. Humour is never far from the page. Last Tango In Denniston, is laugh out loud funny, conjuring memories of Denny Paly and brylcreemed hair. As winter approaches this is a collection to hunker down with whilst sipping a cup of creamy hot chocolate, and I can guarantee you will not look at an ironing board in quite the same way as before.
Book available 24th September
£7.00
This anthology has poetry that considers a Cause in its Time, the time of Covid 19 and what time itself may mean NOW.
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5 new poems by the acclaimed poet, Graham Fulton, work by Charlie Gracie, Magi Gibson, Jim Ferguson and many others. A truly engaging anthology.
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The three poets in this collection have a lot in common. They’re gritty, tough, their observation is born of personal experience, not all of it pleasant. That is recommendation enough but there are many moments too of pure revelation. Donna Campbell’s pearls brimming with moonlight that are the bi-product of pain, the stark beauty of Lesley Benzie’s poem about a father’s death ‘Fan she an her sester met their faither’s unbent gaze…’ and Linda Jackson picking up ‘petals of words from smart-dressed lovers’. Such simple beauty is not easily achieved. At its best poetry can be both empathetic and transformative. This is it, at its best.
(Hugh McMillan, poet)
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In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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