Margaret McGrath has a way with words that transforms them into a lyrical montage of life’s trials and tribulations and the sweetness found in compassion and faith. Inner rhymes dance through her work inviting the reader to cast off any inhibition holding them back from the dreams that they seek. Humour is never far from the page. Last Tango In Denniston, is laugh out loud funny, conjuring memories of Denny Paly and brylcreemed hair. As winter approaches this is a collection to hunker down with whilst sipping a cup of creamy hot chocolate, and I can guarantee you will not look at an ironing board in quite the same way as before.
Book available 24th September
£7.00
'Essays, poems and biographical writing from the most respected of Scottish writers, the late Janet Paisley celebrate and illuminate the range and depth of her art.' (Anne Donovan).
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Invisible Cities 'This collection suggests a presiding intelligence which has seen to the welcome exclusion of the wasteful and sentimental.' (Tom Leonard) Includes work by Janet Paisley, Pat Byrne and Sheila Templeton.
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In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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'What a welcome second collection from Lesley Benzie. Fessen is a total delight. She melds her native N-east Scots with English in writing which is a keen observation of both the outside world and a close scrutiny of human behaviour and relationship. Her language is muscular, strong, yet tender.
She is interested in everything we know of life...walking on the high cliffs of Catterline remembering Joan Eardley, guillemots...perched on tiny ledges facin intae the scarp/like they hiv come tae worship/at the wailin waa...burnt umber plumage/like oiled velvet...and that final homage... a wee prayer for the coastline/that pressed itsel intae Joan's hairt.'
(Sheila Templeton, Poet)
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