We travel the world in this new collection of poems from Jenifer Harley. Surging from the global to the local, from Samoa and Sydney to a Scottish seaside bothy, her keen-eyed observation focuses us afresh on human civilisation’s grandeur, originality and beauty. But she’s also playfully aware of the everyday experience of tiny things that irk like the ouch of wearing flip-flops on a steep dirt track.
These poems are always alert to language – or, rather, languages – e.g. ‘la ragazza sooks spaghetti’ (a line from ‘Bar Gambrinus, Pisa’), capturing the vibrancy of a location’s cheerful, chaotic cacophony and colours.
A vividly perceptive collection, commemorative and celebratory, documenting life’s rough and smooth. A collection with real heart.
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If you want your poetry as a lulled accompaniment to whatever you happen to be doing - don't read Jo Gilbert. If you like your Doric couthie and couth, paired with a wee sepia photo - don't read Jo Gilbert. But if you need poetry that makes you 'Get aff that fuckin horse. Now!' , and opens your 'kohl clarted eyes' to garr ye greet and laugh aloud...then read Jo Gilbert. And what a titular poem. Three lines, punching hard with every word. What a debut.
(Beth McDonough, writer)
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'Essays, poems and biographical writing from the most respected of Scottish writers, the late Janet Paisley celebrate and illuminate the range and depth of her art.' (Anne Donovan).
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A first collection of poetry by George Gibson, a writer who writes about musicians and other literary influences in a way that carries their language through his own. From Jazz to the Doors, they are all here.
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Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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