Tell Me About the Broken Bones
Jen Dunn’s first collection of poems is a stark and, in places, raw read. Terse yet vivid lines examine a range of experiences in the life of a medical professional. The colours and sounds of an orthopaedic surgeon’s daily interventions are contrasted with the mournful internal dialogue of psychoanalysis. This collection marks the emergence of a new voice with rich experience of trauma in its variant forms, and an impressive range of poetic instruments with which to investigate those experiences.
(Andy Jackson, poet)
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Unshackled
In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
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The Siren Awakens
Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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Jackdaws
In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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