Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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If you want your poetry as a lulled accompaniment to whatever you happen to be doing - don't read Jo Gilbert. If you like your Doric couthie and couth, paired with a wee sepia photo - don't read Jo Gilbert. But if you need poetry that makes you 'Get aff that fuckin horse. Now!' , and opens your 'kohl clarted eyes' to garr ye greet and laugh aloud...then read Jo Gilbert. And what a titular poem. Three lines, punching hard with every word. What a debut.
(Beth McDonough, writer)
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This anthology has poetry that considers a Cause in its Time, the time of Covid 19 and what time itself may mean NOW.
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In this superb collection, a pair of Jackdaws build a nest and hatch their young in a ‘gash in one of the window panels’. Fulton unfolds events with deadpan humour, some visceral descriptions, and an unerring eye for concrete detail in this series of short lyrics. He expertly weaves in detail from everyday life, and uncanny observations from the streets of Paisley (‘a sparkly unicorn in a high window’) and beyond (‘a flattened dragonfly/in the centre of a road’) and never once assumes the affection that emerges for ‘Jack and Jill’ is reciprocated. (‘they don’t give a toss/if I’m here or not’). Indeed, Jack’s voice is not one to be messed with. These poems explore the relationship between humankind and nature in an urban environment with wit, craft, profundity, and warmth in an immensely satisfying and positive evocation of nature and new life.
(Andy Breckenridge, poet)
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This collection has work by the late Tom Leonard, Finola Scott and Lesley Benzie.
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