The past, as Neil Young declares, may be ‘no fit place to inhabit’ (too much poverty, too much war and its aftermath), but it is fertile ground for poetry for this son of Belfast. On show is a dry-eyed (and sometimes dewy-eyed) nostalgia for the (far from) ordinary lives that history overlooks, including a mantlepiece of family photographs and a mother’s collection of ‘buttons, badges, stubs/of dance-hall tickets’ stashed in a ‘childhood biscuit tin.’ Neil Young realises that we are all keepers of myths and in its way, this collection is a book of heroes – the famous and the (almost) forgotten who show us ‘what history looks like when it’s the last place to look’. By questioning the past there’s a chance we’ll forge a future worth the effort of making.
(Chris Powci)
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Linda Jackson’s ‘The Siren Awakes’ is a haunting, heartbreaking and often hilarious dissection of the author’s own childhood and early adulthood; a real world of monster masks, dark closes, dazzling sunlight, love, fear, and, particularly, music. Gentle innocence and sudden cruel violence exist side by side. (Graham Fulton, Poet)
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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New collection by three women poets, Linda Jackson, Donna Campbell and Lesley Benzie. The women are travelling in Europe this year with the book so have some of the poems translated. 18 new poems in this edition.
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'Essays, poems and biographical writing from the most respected of Scottish writers, the late Janet Paisley celebrate and illuminate the range and depth of her art.' (Anne Donovan).
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