‘Throughout ‘The Sounds That Men Make’ Allan Gaw, like a ethnographic cartographer, maps the difficult, often treacherous and at times absurd landscape of contemporary masculinities. Inhabiting diverse personae and positions, including alien observers, he navigates the sensitivities and conundrums, the bonds and the rivalries, contradictory role models, the inherited behaviours and prejudices, internal conflicts, the joys, desires, the fears, along with the silences and struggles to overcome expectations and stereotypes. Gaw presents a topography of masculine voices, asking which we identify with, which we recognise, which we react against, and in doing so opens up a much-needed discussion on what it means to be a man in the 21st Century.’
(Bob Beagrie, writer)
£12.00
Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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This collection has work by the late Tom Leonard, Finola Scott and Lesley Benzie.
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Charles Bukowski is a master at writing in a similar fashion about the underclasses but Graham Fulton’s work is better by miles. Not a wasted word and each phrase as carefully balanced as a swaying drunk on a bus.
(Des Dillon, writer)
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‘More superb poetry from Donna Campbell. Looking for Mae West pulses with life. Her focus ranges from rural hardship to disappointments in love, from sensual exhortations to fierce castigation. This is what we expect from her now, after her wonderful first collection, Mongrel - in every word you see Donna’s smile, hear her confident assertion.
The thing about Donna Campbell is: she a truth-teller, as much about herself as other people. Her poems are always forceful but never brutal – it’s a good trick that, even when she’s telling brutal things.'
(Charlie Gracie, writer)
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