‘Throughout ‘The Sounds That Men Make’ Allan Gaw, like a ethnographic cartographer, maps the difficult, often treacherous and at times absurd landscape of contemporary masculinities. Inhabiting diverse personae and positions, including alien observers, he navigates the sensitivities and conundrums, the bonds and the rivalries, contradictory role models, the inherited behaviours and prejudices, internal conflicts, the joys, desires, the fears, along with the silences and struggles to overcome expectations and stereotypes. Gaw presents a topography of masculine voices, asking which we identify with, which we recognise, which we react against, and in doing so opens up a much-needed discussion on what it means to be a man in the 21st Century.’
(Bob Beagrie, writer)
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'What a welcome second collection from Lesley Benzie. Fessen is a total delight. She melds her native N-east Scots with English in writing which is a keen observation of both the outside world and a close scrutiny of human behaviour and relationship. Her language is muscular, strong, yet tender.
She is interested in everything we know of life...walking on the high cliffs of Catterline remembering Joan Eardley, guillemots...perched on tiny ledges facin intae the scarp/like they hiv come tae worship/at the wailin waa...burnt umber plumage/like oiled velvet...and that final homage... a wee prayer for the coastline/that pressed itsel intae Joan's hairt.'
(Sheila Templeton, Poet)
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Jim Ferguson has ten books of poetry already under his belt and this latest collection is a most welcome addition to his vast repertoire. A particular favourite is Domestic Day, a slow meandering through house-hold chores that Ferguson turns into pleasures, whilst the making of soup becomes a meditation in nourishment, soup wae wine, a Vikings shield against the snowfall.
Songs for Lara is more than just a love story, it’s a story of love found between the lines, or in the secret places where we sometimes fear to venture.
(Donna Campbell, poet)
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‘This is a collection by four women poets: Linda Jackson, Donna Campbell, Tracy Patrick and Lesley Benzie writing about travel and dreams…Each journey is memorably significant to the speaker and evoked in sharp and striking detail.’
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In this fine first collection of lyric poetry, Goldie explores the contrast between the urban experience - the ravages of post-industrial economic decline, and the liberating, rugged landscapes of Scotland, with a range of precise imagery and deft phrasing that examines the complexities of both, and the relationship between them.
We also glimpse tender family vignettes, which are all the more moving for being set against this wider historical backdrop.
Rhythm is deployed with great skill, and underscores time’s relentless onward movement in Conachair (‘Saint Kilda’s screaming cliffs and stacks,’) and in Sligrachan (‘the screams of ghosts from empty yards/through the pulsing heart of that great city’)
A very impressive debut indeed.
(A Breckenridge, poet)
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